Marxism Across Media : Characterization and Montage in Variety Artwork's Capital in Manga

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Marxism Across Media : Characterization and Montage in Variety Artwork's Capital in Manga

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dc.contributor.author Nilsson, Magnus
dc.date.accessioned 2019-11-15T12:50:23Z
dc.date.available 2019-11-15T12:50:23Z
dc.date.issued 2019 en_US
dc.identifier.issn 1531-6793 en_US
dc.identifier.uri http://hdl.handle.net/2043/30370
dc.description.abstract In this article I analyze how Marxist thought travels across media boundaries, focusing on characterization and montage, with the point of departure in a manga version of Capital (volume I). These changes can be viewed in terms of corruption, but also in terms of resources. Among other things, the artform of comics makes it possible to reach new audiences, and to connect ideas to new contexts. en_US
dc.format.extent 16 en_US
dc.language.iso eng en_US
dc.subject Marxism en_US
dc.subject Class en_US
dc.subject Media en_US
dc.subject Manga en_US
dc.subject.classification Humanities/Social Sciences en_US
dc.title Marxism Across Media : Characterization and Montage in Variety Artwork's Capital in Manga en_US
dc.type Article, peer reviewed scientific en_US
dc.contributor.department Malmö University. Faculty of Culture and Society
dc.contributor.department Malmö University. School of Arts and Communication (K3)
dc.subject.srsc Research Subject Categories::HUMANITIES and RELIGION en_US
dc.relation.ispartofpublication International Journal of Comic Art;1
dc.relation.ispartofpublicationvolume 21 en_US
dc.description.authorversion No en_US
dc.contributor.centre Malmö University. Collaborative Future Making (CFM) en_US
dc.format.ePage 438 en_US
dc.format.sPage 423 en_US
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