Making Commons : attempts at composing prospects in the opening of production

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Making Commons : attempts at composing prospects in the opening of production

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dc.contributor.author Seravalli, Anna en_US
dc.date.accessioned 2014-05-28T07:17:24Z
dc.date.available 2014-05-28T07:17:24Z
dc.date.issued 2014 en_US
dc.identifier.isbn 978-91-7104-583-6 en_US
dc.identifier.isbn 978-91-7104-584-3 en_US
dc.identifier.uri http://hdl.handle.net/2043/17232
dc.description.abstract This thesis accounts for a designerly inquiry into the swamp of the opening of production. The “opening of production” refers to the rising of openness, collaboration and sharing in processes through which things are made and service delivered. It is defined as a swamp, because it represents a complex landscape where theory and practice meet and where diverse views and understanding of what openness, collaboration and sharing may entail are intertwined. The interest in exploring such a swamp stems from two concerns. The first is understanding the nature of open, collaborative, sharing production practices and to what extent they can lead to more environmentally and socially sustainable ways of producing things and delivering services. The second concern is how, as a designer, it might be possible to engage in not only envisioning and prototyping, but also in constructing open, collaborative, sharing-production practices. In methodological terms, this thesis uses a programmatic approach, which means the way knowledge is produced is in the interaction between the practice and the program that defines the focus of the inquiry; also, in what is to be explored and how to explore it. In regard to practical work, this thesis is based on two long-term engagements: the setting up and running of a makerspace, Fabriken, and the long-term collaboration with an NGO of immigrant women, Herrgårds Women Association (HWA). The program aims at exploring making commons and does so out of an interest in composing prospects. The notion of making commons brings into the work theories and frames from the academic discourses around commons (i.e. collective and collaborative organizational forms) in order to articulate the nature of open, collaborative and sharing practices; it allows for discussion of the engagements, what they produce, and how they do it. It also allows for consideration into how these practices have been initiated, implemented, and carried out over time. Composing prospects entails a particular way of exploring alternative futures by engaging in collective and located attempts at constructing them. Thus, it defines a possible way for designers to engage in the making. Further, it provides the possibility to relate the engagements to the expectations and broader scenarios emerging in the opening of production and to articulate what kind of making may be at play in acknowledging hypothetical futures as possible presents. This inquiry builds on and addresses the fields of design for social innovation, participatory design, and commons
dc.format.extent 362
dc.language.iso eng en_US
dc.publisher Malmö University en_US
dc.relation.ispartofseries Dissertation Series in New Media, Public Spheres, and Forms of Expression;7 sv
dc.relation.haspart Hillgren, Per-Anders, Seravalli, Anna, Emilson, Anders (2011) "Prototyping and infrastructuring in design for social innovation" CoDesign : International Journal of CoCreation in Design and the Arts;3-4, 169-183, Taylor and Francis, ISSN 1745-3755 en_US
dc.relation.haspart Seravalli, Anna (2012) "Building Fabriken : Design for Socially Shaped Innovation". Design Research Society Conference. Bangkok, 1-4 July 2012 en_US
dc.relation.haspart Seravalli, Anna (2013) "Prototyping for opening production : from designing for to designing in the making together" (peer-review paper) ISBN 978-91-979541-5-0, ISSN http://www.craftingthefuture.se/ en_US
dc.relation.haspart Seravalli Anna (forth.) While waiting for the third industrial revolution. In Ehn P., Nilsson E., Topgaard R. (eds) Making futures, marginal notes on innovation design and democracy. Cambridge, MA: MIT Press. en_US
dc.relation.haspart Seravalli, Anna (2013) "Can design go beyond critique? : trying to compose together in opening production" (peer-review paper) 201-210, The Royal Danish Academy of Fine Arts, Schools Architecture, Design and Conservation, ISBN 978-87-7830-316-5 en_US
dc.relation.haspart Hillgren, P.-A., Emilson A., Seravalli A. (forth.) Beyond and in the Shadow of Creative Communities. In Ehn P., Nilsson E., Topgaard R. (eds) Making futures, marginal notes on innovation design and democracy. Cambridge, MA: MIT Press. en_US
dc.subject interaction design en_US
dc.subject design for social innovation
dc.subject participatory design
dc.subject the opening of production
dc.subject commons
dc.subject compositionism
dc.subject co-production
dc.subject commons-based production
dc.subject programmatic approach
dc.subject design practice-based
dc.subject making
dc.subject (im)possible presents
dc.subject.classification Humanities/Social Sciences en_US
dc.title Making Commons : attempts at composing prospects in the opening of production en_US
dc.type Doctoral Thesis
dc.contributor.department Malmö University. Faculty of Culture and Society en_US
dc.contributor.department Malmö University. School of Arts and Communication (K3) en_US
dc.subject.srsc Research Subject Categories::INTERDISCIPLINARY RESEARCH AREAS en_US
thesis.defence.date 2014-09-01
thesis.defence.time 13:15 en_US
thesis.defence.place STPLN, Stapelbäddsgatan 3, 211 19 Malmö en_US
thesis.opponent.name Lucy Kimbell, SAID Business School, University of Oxford en_US
dcterms.type Doctoral Thesis, comprehensive summary
mahlocal.rights.oaType green
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